Mamet
“We must have a pie. Stress cannot exist in the presence of a pie.”
― David Mamet, Boston Marriage
“It's only words... unless they're true.”
― David Mamet
“Every scene should be able to answer three questions: "Who wants what from whom? What happens if they don't get it? Why now?”
― David Mamet, Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business
“You know, I once read an interesting book which said that, uh, most people lost in the wilds, they, they die of shame. Yeah, see, they die of shame. 'What did I do wrong? How could I have gotten myself into this?' And so they sit there and they... die. Because they didn't do the one thing that would save their lives. Thinking.”
― David Mamet
“People may or may not say what they mean... but they always say something designed to get what they want.”
― David Mamet
“All drama is about lies. All drama is about something that’s hidden. A drama starts because a situation becomes imbalanced by a lie. The lie may be something we tell each other or something we think about ourselves, but the lie imbalances a situation. If you’re cheating on your wife the repression of that puts things out of balance; or if you’re someone you think you’re not, and you think you should be further ahead in your job, that neurotic vision takes over your life and you’re plagued by it until you’re cleansed. At the end of a play the lie is revealed. The better the play the more surprising and inevitable the lie is. Aristotle told us this”
― David Mamet
“We're all put to the test... but it never comes in the form or at the point we would prefer, does it?”
― David Mamet
“Superman comics are a fable, not of strength, but of disintegration. They appeal to the preadolescent, (sic) mind not because they reiterate grandiose delusions, but because they reiterate a very deep cry for help.
Superman's two personalities can be integrated only in one thing: only in death. Only Kryptonite cuts through the disguises of both wimp and hero, and affects the man below the disguises.
And what is Kryptonite? Kryptonite is all that remains of his childhood home.
It is the remnants of that destroyed childhood home, and the fear of those remnants, which rule Superman's life. The possibility that the shards of that destroyed home might surface prevents him from being intimate- they prevent him from sharing the knowledge that the wimp and the hero are one. The fear of his childhood home prevents him from having pleasure.
He fears that to reveal his weakness, and confusion, is, perhaps indirectly, but certainly inevitably, to receive death from the person who received that information.
[...]
Far from being invulnerable, Superman is the most vulnerable of beings, because his childhood was destroyed. He can never reintegrate himself by returning to that home- it is gone. It is gone and he is living among aliens to whom he cannot even reveal his rightful name.”
― David Mamet
“We all hope. It's what keeps us alive.”
― David Mamet
“...My dad, may he rest in
peace, taught me many wonderful things. And one of the things he taught me was never ask a guy what you do for a living.
He said "If you think about it, when you ask a guy, what do you do you do for a living," you’re saying "how may I gauge the rest of your utterances." are you smarter than I am? Are you richer than I am, poorer than I am?"
So you ask a guy what do you do for a living, it’s the same thing as
asking a guy, let me know what your politics are before I listen to you so
I know whether or not you’re part of my herd, in which case I can nod
knowingly, or part of the other herd, in which case I can wish you dead.”
― David Mamet
“It’s not a lie. It’s a gift for fiction.”
― David Mamet
“Invent nothing, deny nothing, speak up, stand up, stay out of school.”
― David Mamet, True and False: Heresy and Common Sense for the Actor
“Put. That coffee. Down. Coffee's for closers only.”
― David Mamet, Glengarry Glen Ross
“We live in oppressive times. We have, as a nation, become our own thought police; but instead of calling the process by which we limit our expression of dissent and wonder ‘censorship,’ we call it ‘concern for commercial viability.”
― David Mamet
“Every fear hides a wish.”
― David Mamet, Edmond
“Art is an expression of joy and awe. It is not an attempt to share one's virtues and accomplishments with the audience, but an act of selfless spirit.”
― David Mamet, True and False: Heresy and Common Sense for the Actor
“Everybody makes their own fun. If you don't make it yourself, it isn't fun. It's entertainment.”
― David Mamet
“Life in the movie business is like the beginning of a new love affair: it's full of surprises, and you're constantly getting fucked.”
― David Mamet, Speed-The-Plow
“I go out there. I'm out there every day. [Pause] There is nothing out there. ”
― David Mamet
“What is our life: (Pause.) it’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment?”
― David Mamet, Glengarry Glen Ross
“As you all know first prize is a Cadillac El Dorado. Anyone wanna see second prize? Second prize is a set of steak knives. Third prize is you're fired.”
― David Mamet, Glengarry Glen Ross
“Every reiteration of the idea that _nothing matters_ debases the human spirit.
Every reiteration of the idea that there is no drama in modern life, there is only dramatization, that there is no tragedy, there is only unexplained misfortune, debases us. It denies what we know to be true. In denying what we know, we are as a nation which cannot remember its dreams--like an unhappy person who cannot remember his dreams and so denies that he does dream, and denies that there are such things as dreams.”
― David Mamet, Writing in Restaurants: Essays and Prose
“Fox: It's lonely at the top.
Gould: But it ain't crowded.”
― David Mamet, Speed-the-Plow
“Society functions in a way much more interesting than the multiple-choice pattern we have been rewarded for succeeding at in school. Success in life comes not from the ability to choose between the four presented answers, but from the rather more difficult and painfully acquired ability to formulate the questions.”
― David Mamet, The Secret Knowledge: On the Dismantling of American Culture
“Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.”
― David Mamet
“In the meantime: (1) be direct; (2) remember that, being smarter than men, women respond to courtesy and kindness; (3) if you want to know what kind of a wife someone will make, observe her around her father and mother; (4) as to who gets out of the elevator first, I just can't help you.”
― David Mamet, Some Freaks
“The basis of drama is ... is the struggle of the hero towards a specific goal at the end of which he realizes that what kept him from it was, in the lesser drama, civilization and, in the great drama, the discovery of something that he did not set out to discover but which can be seen retrospectively as inevitable. The example Aristotle uses, of course, is Oedipus.”
― David Mamet
“The first rule of tinkering is, of course, ‘save all the parts.’ But in dismantling the social fabric, the parts cannot all be saved, for one of them is time. Time, we were told, is a river flowing endlessly through the universe and one cannot step into the same river twice. Not only can we not undo actions taken in haste and in fear (the Japanese Internment), but those taken from the best reasons, but that have proved destructive (affirmative action); the essential mechanism of societal preservation is not inspiration, but restraint.”
― David Mamet, The Secret Knowledge: On the Dismantling of American Culture
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