“He was interested in the magic,” Mr. Pollack said. “Not fake magic, like hiding the ball under the cup, but real magic, the kind that occurs between people. Nowadays, everybody making movies wants to get the clothes off fast and the guns out quick, he was just the opposite. He was interested in the poetry, lavishing the viewer with story, and scope and richness. Look at what you got for your $12 ticket with Anthony.”
“There was a real authenticity to his work,” Mr. Pollack added. “He made movies about the world that we live in, where stuff happened that no one could have anticipated.”*
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