Sunday, March 28, 2021

Mario Vargas Llosa's Birthday


“Almost seventy years later I remember clearly how the magic of translating the words in books into images enriched my life, breaking the barriers of time and space...”
Mario Vargas Llosa

“One can't fight with oneself, for this battle has only one loser.”
Mario Vargas Llosa, Aunt Julia and the Scriptwriter

“Memory is a snare, pure and simple; it alters, it subtly rearranges the past to fit the present.”
Mario Vargas Llosa

“Writers are the exorcists of their own demons.”
Mario Vargas-Llosa

“We would be worse than we are without the good books we have read, more conformist, not as restless, more submissive, and the critical spirit, the engine of progress, would not even exist. Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute – the foundation of the human condition – and should be better. We invent fictions in order to live somehow the many lives we would like to lead when we barely have one at our disposal.”
Mario Vargas Llosa

“Its easy to know what you want to say, but not to say it”
Mario Vargas Llosa

“I convinced her that her first loyalty isn't to other people, but to her own feelings.”
Mario Vargas Llosa, Travesuras de la niña mala

“In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.”
Mario Vargas Llosa

“Life is a shitstorm, in which art is our only umbrella."
(spoken by character in a novel by Mario Vargas Llosa)”
Mario Vargas Llosa

“But what do I have? The things I'm told and the things I tell, that's all. And as far as I know, that never yet made anyone fly.”
Mario Vargas Llosa, The Storyteller

“The secret to happiness, at least to peace of mind, is knowing how to separate sex from love. And, if possible, eliminating romantic love from your life, which is the love that makes you suffer. That way, I assure you, you live with greater tranquility and enjoy things more.”
Mario Vargas Llosa, Travesuras de la niña mala

“Well, at heart I knew she'd never be a normal woman. And I didn't want her to be one, because what I loved in her were the indomitable and unpredictable aspects of her personality”
Mario Vargas Llosa, Travesuras de la niña mala

“You cannot teach creativity—how to become a good writer. But you can help a young writer discover within himself what kind of writer he would like to be.” Mario Vargas Llosa”
Mario Vargas Llosa

“That is one thing I am sure of amid my many uncertainties regarding the literary vocation: deep inside, a writer feels that writing is the best thing that ever happened to him, or could ever happen to him, because as far as he is concerned, writing is the best possible way of life, never mind the social, political, or financial rewards of what he might achieve through it.”
Mario Vargas Llosa, Letters to a Young Novelist

“The writer’s job is to write with rigor, with commitment, to defend what they believe with all the talent they have. I think that’s part of the moral obligation of a writer, which cannot be only purely artistic. I think a writer has some kind of responsibility at least to participate in the civic debate. I think literature is impoverished, if it becomes cut from the main agenda of people, of society, of life.”
Mario Vargas Llosa

“No matter how ephemeral it is, a novel is something, while despair is nothing.”
Mario Vargas Llosa

“Science is still only a candle glimmering in a great pitch-dark cavern.”
Mario Vargas Llosa, The War of the End of the World

“From the cave to the skyscraper, from the club to weapons of mass destruction, from the tautological life of the tribe to the era of globalization, the fictions of literature have multiplied human experiences, preventing us from succumbing to lethargy, self-absorption, resignation. Nothing has sown so much disquiet, so disturbed our imagination and our desires as the life of lies we add, thanks to literature, to the one we have, so we can be protagonists in the great adventures, the great passions real life will never give us. The lies of literature become truths through us, the readers transformed, infected with longings and, through the fault of fiction, permanently questioning a mediocre reality. Sorcery, when literature offers us the hope of having what we do not have, being what we are not, acceding to that impossible existence where like pagan gods we feel mortal and eternal at the same time, that introduces into our spirits non-conformity and rebellion, which are behind all the heroic deeds that have contributed to the reduction of violence in human relationships. Reducing violence, not ending it. Because ours will always be, fortunately, an unfinished story. That is why we have to continue dreaming, reading, and writing, the most effective way we have found to alleviate our mortal condition, to defeat the corrosion of time, and to transform the impossible into possibility.”
Mario Vargas Llosa

“Revolution will free society of its afflictions, while science will free the individual of his.”
Mario Vargas Llosa, The War of the End of the World

“Why would anyone who is deeply satisfied with reality, with real life as it is lived, dedicate himself to something as insubstantial and fanciful as the creation of fictional realities? Naturally, those who rebel against lie as it is, using their ability to invent different lives and different people, may do so for any number of reasons, honorable or dishonorable, generous or selfish, complex or banal. The nature of this basic questioning of reality, which to my mind lies at the heart of every literary calling, doesn't matter at all. What matters is that the rejection be strong enough to fuel the enthusiasm for a task as quixotic as tilting at windmills – the slight-of-hand replacement of the concrete, objective world of life as it is lived with the subtle and ephemeral world of fiction.”

Mario Vargas Llosa, Letters to a Young Novelist

“I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.”
Mario Vargas Llosa

“‎Reading good literature is an experience of pleasure...but it is also an experience of learning what and how we are, in our human integrity and our human imperfection, with our actions, our dreams, and our ghosts, alone and in relationships that link us to others, in our public image and in the secret recesses of our consciousness.”
Mario Vargas Llosa

“Death isn't enough. It doesn't remove the stain. But a slap, a whiplash, square on the face, does. Because a man's face is as sacred as his mother or his wife.”
Mario Vargas Llosa, The War of the End of the World

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