For the memoir to work, to truly be alive, the honesty of the writing must outweigh the feelings of your subjects. As the central figure, you have to write what scares you: the drama resides in the dark places where you’re least comfortable. And that means exposing yourself. It’s like ripping off the front of your house and saying, “O.K., here we are, take a look — I’ll be in the shower if you want a closer view.” If you can’t do that — if you’re unwilling to bleed, naked, on the page — why write memoir?
- Ken Budd
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Tuesday, December 03, 2013
Ken Budd
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