Saturday, May 01, 2021

The Task

“The task of a writer is not to solve the problem but to state the problem correctly.”

Chekhov, Anton Chekhov, Anton

To Fear Love

 “To fear love is to fear life, and those whose fear life are already three parts dead...”
Anton Chekhov

Claim it

“If ever my life can be of any use to you, come and claim it.”

Anton Chekhov

The World

“The world is, of course, nothing but our conception of it.”
Anton Chekhov

Wisdom

 “Wisdom.... comes not from age, but from education and learning.”
Anton Chekhov

In Silence

“The happy man only feels at ease because the unhappy bear their burden in silence. Without this silence, happiness would be impossible.”

Anton Chekhov

Sincerity

“There should be more sincerity and heart in human relations, more silence and simplicity in our interactions. Be rude when you’re angry, laugh when something is funny, and answer when you’re asked.”
Anton Chekhov

Poetry in Translation

 “We shall find peace. We shall hear angels, we shall see the sky sparkling with diamonds.”  
Anton Pavlovich Chekhov, "Uncle Vanya"

 a variation of this quote is also found as:

"We shall rest. We shall hear the angels. We shall see heaven shining like a jewel."

           ― Anton Pavlovich Chekhov 

A Man's Friend

“A woman can become a man's friend only in the following stages - first an acquaintance, next a mistress, and only then a friend.”

Anton Chekhov, The Three Sisters

Why?

“Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?”

Anton Chekhov, The Complete Short Novels

From a letter to Nikolay Chekhov, March 1886

 “Civilized people must, I believe, satisfy the following criteria:

1) They respect human beings as individuals and are therefore always tolerant, gentle, courteous and amenable ... They do not create scenes over a hammer or a mislaid eraser; they do not make you feel they are conferring a great benefit on you when they live with you, and they don't make a scandal when they leave. (...)

2) They have compassion for other people besides beggars and cats. Their hearts suffer the pain of what is hidden to the naked eye. (...)

3) They respect other people's property, and therefore pay their debts.

4) They are not devious, and they fear lies as they fear fire. They don't tell lies even in the most trivial matters. To lie to someone is to insult them, and the liar is diminished in the eyes of the person he lies to. Civilized people don't put on airs; they behave in the street as they would at home, they don't show off to impress their juniors. (...)

5) They don't run themselves down in order to provoke the sympathy of others. They don't play on other people's heartstrings to be sighed over and cosseted ... that sort of thing is just cheap striving for effects, it's vulgar, old hat and false. (...)

6) They are not vain. They don't waste time with the fake jewellery of hobnobbing with celebrities, being permitted to shake the hand of a drunken [judicial orator], the exaggerated bonhomie of the first person they meet at the Salon, being the life and soul of the bar ... They regard prases like 'I am a representative of the Press!!' -- the sort of thing one only hears from [very minor journalists] -- as absurd. If they have done a brass farthing's work they don't pass it off as if it were 100 roubles' by swanking about with their portfolios, and they don't boast of being able to gain admission to places other people aren't allowed in (...) True talent always sits in the shade, mingles with the crowd, avoids the limelight ... As Krylov said, the empty barrel makes more noise than the full one. (...)

7) If they do possess talent, they value it ... They take pride in it ... they know they have a responsibility to exert a civilizing influence on [others] rather than aimlessly hanging out with them. And they are fastidious in their habits. (...)

8) They work at developing their aesthetic sensibility ... Civilized people don't simply obey their baser instincts ... they require mens sana in corpore sano.

And so on. That's what civilized people are like ... Reading Pickwick and learning a speech from Faust by heart is not enough if your aim is to become a truly civilized person and not to sink below the level of your surroundings.

[From a letter to Nikolay Chekhov, March 1886]”
Anton Chekhov, A Life in Letters

Believe

“Man is what he believes.”
Anton Chekhov

Loneliness

“If you are afraid of loneliness, don't marry.”
Anton Chekhov, Notebook of Anton Chekhov

Anton Chekhov

“Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other”

Anton Chekhov

I Love Chekhov

“You have lost your reason and taken the wrong path. You have taken lies for truth, and hideousness for beauty. You would marvel if, owing to strange events of some sorts, frogs and lizards suddenly grew on apple and orange trees instead of fruit, or if roses began to smell like a sweating horse; so I marvel at you who exchange heaven for earth. I don't want to understand you.”
Anton Chekhov

In Love

“Perhaps the feelings that we experience when we are in love represent a normal state. Being in love shows a person who he should be.”

Anton Chekhov

Ask

“The role of the artist is to ask questions, not answer them.”

Anton Pavlovich Chekhov

A Hundred

 “Perhaps man has a hundred senses, and when he dies only the five senses that we know perish with him, and the other ninety-five remain alive.”
Anton Chekhov, The Cherry Orchard

Chekhov

 “Don't tell me the moon is shining; show me the glint of light on broken glass.”
Anton Chekhov

Welsh May Day Customs

Wales has a wealth of May Day customs, superstitions and traditions that go back to the time of the Druids.

Known as Calan Mai or Calan Haf, the first day of May was an important time for celebration and festivities in Wales as it was considered to be the start of summer. Marking neither an equinox nor a solstice, May Day referred to the point in the year when herds would be turned out to pasture.

The lighting of fires were very much associated with the first of May. In Druidical days, fires for the Baltan, known also as Beltane, represented an opportunity for purification, to protect animals from disease. These fire-lighting ceremonies were carried out with a great deal of pomp and ceremony.

Mary Trevelyan, in her 1909 book Folk-lore And Folk-stories Of Wales, describes the preparations for the fire on May Eve in south Wales that took place right up until the mid 19th century:

"The fire was done in this way: Nine men would turn their pockets inside out, and see that every piece of money and all metals were off their persons. Then the men went into the nearest woods and collected sticks of nine different kinds of trees.

"These were carried to the spot where the fire had to be built. There a circle was cut in the sod and the sticks were set crosswise. All around the circle the people stood and watched the proceedings. One of the men would then take two bits of oak and rub them together until a flame was kindled."

According to Trevelyan, it was not unknown for a calf to be thrown on to a fire, proffered to stop prevent spreading within a particular herd. Sheep were also given to the summer fire in an attempt to halt was a disease was that prevalent within a particular flock.

May Eve was not just an opportunity for a healthy herd; it was a chance for divination, usually with the express intent of revealing who one's true love would be.

'Spirit nights', or ysprydnos, took place on May Eve. It was one of the three nights in the year when the world of the supernatural was closest to the the real world. These nights offered an opportunity for divination, usually with the express intent of revealing who one's true love would be.

Also on May Eve, villagers would gather hawthorn branches and flowers and use these to decorate the outside of their houses. It was believed to be unlucky to bring hawthorn blossoms into the house. In some parts of Wales mayflower (probably the cowslip) was collected. These customs celebrated the new growth and fertility of the season.

It is clear that May Day offered a chance for socialising and mirth. After hard, often isolating, winters this was a chance for socialising and celebrating.

In Anglesey and Caernarfonshire 'gware gwr gwyllt' - playing straw man - or 'crogi gwr gwellt' - hanging a straw man - were a common sight on May Eve.

A man who had lost his sweetheart to another man would make a figure out of straw and put it somewhere in the vicinity of where the girl lived. The straw man represented her new sweetheart and had a note pinned to it. However, such attention to a lady could foster jealousy, sometimes leading to fights.

Singing and dancing were an integral part of the celebrations with some of the songs sometimes being rather bawdy or sexual.

Below is a short clip from Cawl a Chan from 1977. This was a Welsh language popular music programme set in barn in Pembrokeshire. While the dancing is by no means bawdy it is a good example of dawnsio gwerin, Welsh folk dancing.

The maypole was an important part of Welsh May Day tradition. It was called 'codi'r fedwen', 'raising the birch', in south Wales, and 'y gangen haf', the summer branch, in the north.

In the south, the maypole was made of birch. It was painted different colours and the leader of the dancing would wrap his ribbons around the pole, followed by the other dancers until eventually the pole was covered in ribbons. The maypole would then be raised and the dancing would begin.

In north Wales 'cangen haf' took place. Up to 20 young men would go May dancing. All of the men would be dressed in white and decorated with ribbons,except for two who were were called the Fool and Cadi.

The Cadi would carry the 'cangen haf' which was often decorated with silver watches, spoons, and vessels borrowed from the people in the village. Singing and dancing, they would visit each house in the village asking for money.

https://www.bbc.co.uk/blogs/wales/entries/2bf9a235-94cb-301c-ac8c-011f6213715d