Tuesday, March 06, 2018

the world's attic

“So many old and lovely things are stored in the world's attic because we don't want them around us and we don't dare throw them out.”
― John Steinbeck, The Winter of Our Discontent

“For it is said that humans are never satisfied, that you give them one thing and they want something more. And this is said in disparagement, whereas it is one of the greatest talents the species has and one that has made it superior to animals that are satisfied with what they have.”
― John Steinbeck, The Pearl

“Just like heaven. Ever’body wants a little piece of lan’. I read plenty of books out here. Nobody never gets to heaven, and nobody gets no land. It’s just in their head. They’re all the time talkin’ about it, but it’s jus’ in their head.”
― John Steinbeck, Of Mice and Men

“After the bare requisites to living and reproducing, man wants most to leave some record of himself, a proof, perhaps, that he has really existed. He leaves his proof on wood, on stone or on the lives of other people. This deep desire exists in everyone, from the boy who writes dirty words in a public toilet to the Buddha who etches his image in the race mind. Life is so unreal. I think that we seriously doubt that we exist and go about trying to prove that we do.”
― John Steinbeck, The Pastures of Heaven

“Being at ease with himself put him at ease with the world.”
― John Steinbeck, Cannery Row

“I suppose our capacity for self-delusion is boundless.”
― John Steinbeck, Travels with Charley: In Search of America

“I've seen a look in dogs' eyes, a quickly vanishing look of amazed contempt, and I am convinced that basically dogs think humans are nuts.”
― John Steinbeck

“Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then -the glory- so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man's importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men. ”
― John Steinbeck, East of Eden

“It is one of the triumphs of the human that he can know a thing and still not believe it.”
― John Steinbeck

“She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since old Tom and the children could not know hurt or fear unless she acknowledged hurt or fear, she had practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build laughter out of inadequate materials....She seemed to know that if she swayed the family shook, and if she ever deeply wavered or despaired the family would fall.”
― John Steinbeck, The Grapes of Wrath

“If he needs a million acres to make him feel rich, seems to me he needs it 'cause he feels awful poor inside hisself, and if he's poor in hisself, there ain't no million acres gonna make him feel rich, an' maybe he's disappointed that nothin' he can do 'll make him feel rich.”
― John Steinbeck, The Grapes of Wrath

“It’s all fine to say, “Time will heal everything, this too shall pass away. People will forget”—and things like that when you are not involved, but when you are there is no passage of time, people do not forget and you are in the middle of something that does not change.”
― John Steinbeck, Cannery Row

“Don't you love Jesus?' Well, I thought an' I thought an' finally I says, 'No, I don't know nobody name' Jesus. I know a bunch of stories, but I only love people.”
― John Steinbeck, The Grapes of Wrath

“How can you frighten a man whose hunger is not only in his own cramped stomach but in the wretched bellies of his children? You can't scare him--he has known a fear beyond every other.”
― John Steinbeck, The Grapes of Wrath

“I’m in love with Montana. For other states I have admiration, respect, recognition, even some affection. But with Montana it is love. And it’s difficult to analyze love when you’re in it.”
― John Steinbeck, Travels with Charley: In Search of America

“There is more beauty in truth, even if it is a dreadful beauty. The storytellers at the city gate twist life so that it looks sweet to the lazy and the stupid and the weak, and this only strengthens their infirmities and teaches nothing, cures nothing, nor does it let the heart soar.”
― John Steinbeck, East of Eden

“We can shoot rockets into space but we can't cure anger or discontent. ”
― John Steinbeck, The Winter of Our Discontent

“A large drop of sun lingered on the horizon and then dripped over and was gone, and the sky was brilliant over the spot where it had gone, and a torn cloud, like a bloody rag, hung over the spot of its going. And dusk crept over the sky from the eastern horizon, and darkness crept over the land from the east.”
― John Steinbeck, The Grapes of Wrath

“It is the nature of man to rise to greatness if greatness is expected of him.”
― John Steinbeck

“New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous.
But there is one thing about it - once you have lived in New York and it has become your home, no place else is good enough.”
― John Steinbeck, America and Americans and Selected Nonfiction

“When I face the desolate impossibility of writing five hundred pages, a sick sense of failure falls on me, and I know I can never do it. Then gradually, I write one page and then another. One day's work is all I can permit myself to contemplate.”
― John Steinbeck, Travels with Charley: In Search of America

“What a frightening thing is the human, a mass of gauges and dials and registers, and we can only read a few and those perhaps not accurately.”
― John Steinbeck, The Winter of Our Discontent

“I think I love you, Cal." -Abra
I'm not good." -Cal
Because you're not good." -Abra”
― John Steinbeck, East of Eden
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“Farewell has a sweet sound of reluctance. Good-by is short and final, a word with teeth sharp to bite through the string that ties past to the future.”
― John Steinbeck, The Winter of Our Discontent

“There are no ugly questions except those clothed in condescension.”
― John Steinbeck, East of Eden

“Sure, cried the tenant men,but it’s our land…We were born on it, and we got killed on it, died on it. Even if it’s no good, it’s still ours…. That’s what makes ownership, not a paper with numbers on it."

"We’re sorry. It’s not us. It’s the monster. The bank isn’t like a man."

"Yes, but the bank is only made of men."

"No, you’re wrong there—quite wrong there. The bank is something else than men. It happens that every man in a bank hates what the bank does, and yet the bank does it. The bank is something more than men, I tell you. It’s the monster. Men made it, but they can’t control it.”
― John Steinbeck, The Grapes of Wrath

“Don't you dare take the lazy way. It's too easy to excuse yourself because of your ancestry. Don't let me catch you doing it! Now -- look close at me so you will remember. Whatever you do, it will be you who do.”
― John Steinbeck, East of Eden

“Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass.”
― John Steinbeck, Sweet Thursday

“In uncertainty I am certain that underneath their topmost layers of frailty men want to be good and want to be loved. Indeed, most of their vices are attempted shortcuts to love...We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.”
― John Steinbeck, East of Eden

“[Cannery Row's] inhabitants are, as the man once said, 'whores, pimps, gamblers, and sons of bitches,' by which he meant everybody. Had the man looked through another peephole he might have said, 'saints and angels and martyrs and holy men,' and he would have meant the same thing.”
― John Steinbeck, Cannery Row

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