Monday, January 30, 2017

John Hurt British Actor

In a 1979 BBC mini-series, he was Dostoyevsky’s Raskolnikov, the brooding, conscience-stricken killer in “Crime and Punishment.” And in Michael Radford’s 1984 adaptation of George Orwell’s dystopian classic “1984,” he was Winston Smith, the protagonist. Mr. Hurt’s pallor, fearful expression and prominent ears made him an especially feral and unromantic rebel.

“His countenance is fishy and bizarre,” Cintra Wilson wrote in Salon in 2004. “He has dark, verminous little eyes, a smirky little mouth full of nicotine-varnished teeth, and that British complexion that evokes a poached worm. Even in his early films, he has eye bags and looks like he put on a face that was at the very bottom of his laundry basket. His body, when it isn’t a little overindulged around the abdomen, is scrawny. He has never, in any role, looked particularly masculine. The characters he plays are generally weak, immoral, murderous, slimy or insane. Yet to gaze upon John Hurt, in almost any role, is to feel a drooly adoration; he is irresistible.”

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For the calm dignity he brought to this performance — a powerful reproof to those who demonized and humiliated Merrick — Mr. Hurt was rewarded with an Oscar nomination for best actor, critical plaudits and the admiration of the film’s director, David Lynch, who said 10 years later, in an interview in The New York Times Magazine: “John Hurt is simply the greatest actor in the world.” (Robert De Niro won the best actor award in 1981.)

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“When I say that acting is just a rather more sophisticated way of playing cowboys and Indians, it’s my way of trying to quash all the pretentious crap that’s said about acting,” Mr. Hurt said in 1990. “What I mean is, if you pretend well enough, the audience will believe you.”

He added: “In front of the camera you try to do subtle, telling things and hope the director, and the camera, notices. You can feel when you pass something through the camera. The old Alan Ladd story is the best one in that respect. He came back from a long day of shooting out in the dusty Arizona desert and someone said, ‘Did you have a good day, Alan?’ In his soft rasp, he said, ‘Yup, a couple of good looks.’”

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